The best of Saroj Khan: From ‘Ek Do Teen’ to ‘Dola Re Dola’ and ‘Barso Re’

Saroj Khan, who died in Mumbai on Friday following a cardiac arrest on the age of 71, was one of Indian cinema’s most gifted folks. She was among the many first dance choreographers within the nation who obtained written broadly about within the media. For, her work was not simply that good, however was astonishingly widespread too.


If Madhuri Dixit turned an on the spot, nationwide sweetheart, together with her dance to the track Ek do teen.. (Tezaab), Saraoj was one of the explanations for that. Sridevi and Aishwarya Rai, the opposite two most interesting dancers among the many Bollywood heroines of our time, additionally owe some of their most sleek steps to her.

The Hindu pays a tribute to Saroj Khan with a playlist of some iconic dance numbers that she choreographed:

Ek do teen… (Tezaab)


Five minutes into Tezaab, this lady, wearing sequinned purple crop high and multi-coloured skirt, would glide onto the ramp, fly kisses into the viewers, say Namashkar and ask them Kya sunenge aap…? (What would you hear?) What adopted, on screens throughout the nation, was sheer magic.

Madhuri Dixit’s million-watt smile, eloquent expressions and stunningly sleek strikes, as she danced to Laxmikant-Pyarelal’s composition in Alka Yagnik’s recent voice, conquered the viewer in a means most likely the picturisation of no different track did in Indian cinema earlier than. Saroj’s steps introduced out the innocence, class and oomph of Madhuri fantastically. Little surprise, Ek do teen… continues to delight, some 4 many years after we first watched, and after Jacqueline Fernandez’s model of it in Baaghi 2.

Taal se taal milaa… (Taal)


Taal stays one of A.R. Rahman’s most interesting albums. From the classical Taal se taal milaa... to the folksy Kariye naa… the combo was electrifying. The music helped Subhash Ghai drastically in making what’s one of his best movies. Aishwarya Rai’s beautiful appears, and a splendid efficiency in her position as a dancer from a small hilly city, helped, too. As did these lovely visuals from Himachal shot by Kabir Lal.

Then, there have been some sensible choreographies. Like this one, during which Aishwarya confirmed she may have succeeded as a classical dancer too if she wished to.

The rain, Aishwarya in her white flowing skirt and shirt with flared sleeves, the breathtaking magnificence of Himachal’s Chamba, Alka Yagnik’s vocals…it was all heady stuff. Saroj got here up with steps that ensured visible immortality to the track.

Kaate nahin kat te… (Mr. India)


Shekhar Kapur’s pleasant superhero movie had fabulous music by Laxmikant-Pyarelal. This one was sung rendered impeccably by Kishore Kumar – it might show one of his final hits – and Kavita Krishnamurthy.

On display screen, Sridevi, in a blue chiffon saree, sizzled, particularly when it began to rain half means into the track. The sari-clad, rain-drenched heroine might have change into a cliché in Indian cinema – irrespective of the language – however this one has attained iconic standing, due in no small measures to the aesthetic choreography of Saroj and Sridevi’s sensuality.

Radha kaise na jale… (Lagaan)


In Lagaan, Ashutosh Gowariker confirmed how you could possibly make a high-quality movie that may rating excessive not simply on creative advantage however change into a hug field workplace hit as effectively. Among the movie’s many highlights was A.R. Rahman’s music.

This tilting melody in regards to the romance of Radha and Krishna – penned by Javed Akhtar – was rendered fantastically by Udit Narayan and Asha Bhosle. The Dandiya steps Saroj selected have been simply good, and Gracy Singh and Aamir Khan did a wonderful job of executing them.

Dola re dola… (Devdas)


Few up to date Bollywood administrators have pretty much as good an ear for music as Sanjay Leela Bhansali. His retelling of was India’s most liked love story, Devdas, was spectacular. Ismail Darbar gave him simply the apt musical rating.

This track was sung with nice finesse by Kavita Krishnamurthy and a younger Shreya Ghoshal. Dancing to it have been two of India’s best divas: Madhuri Dixit and Aishwarya Rai. Dressed in white sarees and pink blouses, and closely bejewelled, they regarded a imaginative and prescient and danced like a dream. That dance sequence, which introduced the very best out of Saroj, stays a visible deal with nonetheless. Saroj deservedly received the primary of her three National Awards for Devdas.

Mehndi laga ke rakhna… (Dilwale Dulhania Le Jayenge)


One of the best love tales of Indian cinema had nice music too. More than twenty years later, when Hindi cinema is turning into more and more unoriginal, we may respect Jatin-Lalit’s pretty melodies much more. Udit Narayan and Lata Mangeshkar sang this massively widespread, ageless wedding ceremony track.

The simple chemistry between Kajol and Shah Rukh Khan lit up the display screen, and Saroj confirmed her mastery but once more, utilizing Bhangra steps.

Hum ko aaj kal… (Saliaab)


The 1990 movie might have been eminently forgettable, however this dance sequence is one of probably the most sensual ones you’ll ever get to see. Bhappi Lahiri’s composition was sung quite effectively by Anupama Deshpande.

Then, Madhuri Dixit and Saroj Khan took over. Dressed to kill as a Marathi fisherwoman, the actress will need to have even exceeded the choreographer’s expectations.

Barso re… (Guru)


Mani Ratnam’s splendid Hindi movie received Saroj her third National Award. Mani, as normal, had the genius of A.R. Rahman to lean on. The Mozart of Madras got here up with one other winner, as normal for the person who found him.

Aishwarya Rai danced away with homosexual abandon on this track rendered by Shreya Ghoshal. Rajeev Menon’s digital camera and Saroj’s choreography additionally helped it flip right into a video you could possibly watch a number of occasions over.

There are, of course, many extra songs that have been tuned into attractive dances by Saroj in her lengthy profession, equivalent to Dhak dhak karne laga… (Beta), Choli ke peeche kya hai… (Khalnayak), Nimbooda… (Hum Dil De Chuke Hai Sanam), Chane ke khet mein… (Anjaam), Hawa Hawai… (Mr. India), Mere haathon mein… (Chandni), Mera piya ghar aaya… (Yaraana), Main teri dushman… (Nagina) and Na jaane kahan se… (Chaalbaaz).

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Shekh Shahrukh

Shekh Shahrukh is a digital marketer, Entrepreneur, and a Journalism student at Delhi University. A news writer by day and news seeker by night, he is loathed to discuss himself in a third person but can be persuaded to do so from time to time.

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